LOU BENNETT ON YOUTUBE –
Copyright: Antonio Porcar
Organist Lou Bennett’s popularity in Europe has always been much bigger than in the United States. Bennett was born in Philadelphia in 1926, a pianist who took up the organ after seeing Jimmy Smith in 1956. Before he was able to gain a foothold in the USA, Bennett migrated to Europe in 1960. His first album, Amen!, a cooperation with fellow expat and drummer Kenny Clarke, got him off to a good start. Bennett gained a large following in France, recording and performing regularly. He lived in Paris and Spain and passed away in 1997 in the little town of Le Chesnay just outside Paris, France.
Bennett smoothly mixed a thorough bebop proficiency with his gospel roots. He is also recognized as one of the greatest players of the bass pedals and of the inventor of the Bennett Machine, a pioneering hybrid of electronic devices and the Hammond organ’s construction.
During one of those half hours in between surfing on YouTube that all fans of music are familiar with, I stumbled upon interesting footage of Lou Bennett on YouTube.
Hear Bennett in Paris with guitarist Elek Bacsik and drummer Franco Manchetti, performing Brother Daniel.
With drummer Kenny Clarke performing Tadd Dameron’s Lady Bird.
And performing Zonky, Satin Doll and Broadway with Kenny Clarke, guitarist Jimmy Gourley and the incomparable Brew Moore at the Blue Note Club in Paris, France in 1961 here.
More on Bennett coming up this month in Flophouse Magazine. Stay tuned!
Only twelve days after locking arms with brother Cannonball on Presenting Cannonball Adderley, (Savoy, July 14, 1955) That’s Nat marked Nat Adderley’s recording debut as a leader. Conforming to the standard repertoire of the day – of those albums that might as well be called ‘Bop, Blues & Ballads’ – Nat Adderley stands out as a suburb player with a sharp style and soulful tone.
Nat Adderley (cornet), Jerome Richardson (tenor), Hank Jones (piano), Wendell Marsh (bass), Kenny Clarke (drums)
on July 26, 1955 in NYC
as Savoy MG 12021 in 1955
I Married An Angel
You Better Go Now
ike contemporaries Art Farmer and Chet Baker, trumpeter Nat Adderley does a swell job of handling the cornet, from which comes a warm and soothing sound. Confidently, in sync with Clifford Brown and in possession of a rich sound, Adderley’s walloping runs in Big E
bring about vistas of a New Orleans parade with Nat leading the parade and blowing sirens over Treme rooftops in honor of life and the deceased.
The That’s Nat-session also features bop innovator Kenny “Klook” Clarke and pianist Hank Jones, in typically lighthearted mood, soloing elegantly and coherently and exuding rows of cascading triplets. Listening to Hank Jones is analogue to feeling a soft breeze blowing through your hair. Combined with the growing artistry of Nat Adderley, that would come into full bloom the following years in his brother’s group, That’s Nat is a solid solo career opening statement.
YouTube: Big E