Milly Scott Trouble In Mind (Nederlands Jazz Archief 2025)

NEW RELEASE – MILLY SCOTT

Revealing musical portrait of vaudeville-cum-jazz vocalist Milly Scott.  

Personnel

Milly Scott (vocals); The Diamond Five feat. a.o. John Engels (drums), Combo Frans de Kok feat. a.o. Cees Smal (trumpet, flugelhorn, valve trombone), Orkest Ruud Bos feat. a.o. Herman Schoonderwalt (clarinet), Dutch Swing College Band feat. a.o. Peter Schilperoort (soprano saxophone, piano), Boy’s Big Band feat. a.o. Cees Slinger (piano), Metropole Orkest feat. a.o. Cees Verschoor (alto saxophone)

Recorded

between September 1963-July 1966 in Hilversum and The Hague

Released

as NJA 2501 in 2025

Track listing

It’s Allright With Me / Get Out Of Town / Old Devil Moon / September Song / I Got Rhythm / Nobody Knows You When You’re Down And Out / The Great City / Come Rain Or Come Shine / This Can’t Be Love / Taking A Chance On Love / Diep In Mijn Hart / How Deep Is The Ocean / After You’re Gone / Lonely House / Baby Won’t You Please Come Home / When Lights Are Low / Trouble In Mind / Get Out Of Town / You’re Driving Me Crazy / Nobody Knows The Trouble I’ve Seen / Careless Love Blues / Lover

There have been and are plenty fine singers in The Netherlands, Rita Reys, Ann Burton, Greetje Kauffeld, Fay Claassen, Marcela Hendriks and Anna Serierse to name but a few. Now we can officially add Milly Scott to that list. The Dutch-Suriname singer is best known as a vaudeville singer and tv personality in the 1950s/60s, but she was a talented and flawless jazz singer as well. You can hear this on Trouble In Mind, a labor of love by the Dutch Jazz Archive that rescued material from the vaults. In hindsight, it’s incomprehensible that none of the big labels back then saw the potential of putting out a jazz record by Miss Scott.

In contrast to all reviews I’ve read, I’m not convinced by her blues singing, the so-called cherry on the jazz cake here. There’s no mistaking, however, that she was a fine interpreter of this jazz songbook, she really feels it. Hers is a straight honey pie voice that is allowed the occasional sassy pitch by Scott, who basks in the pleasure of unbeatable standards, backed by the cream of the Dutch jazz crop. What about It’s Allright With Me with the hard boppers of The Diamond Five? Hard-swinging, Scott thriving on the vibe. Equally swinging: Old Devil Moon with Combo Frans de Kok, Scott giving it her all.

And what about the slow version of Cole Porter’s Get Out Of Town with Boy Edgar’s Big Band? Amen! Her voice is super sensual here, perfectly in sync with the bittersweet message of ‘just disappear, I care for you much too much’. Pianist Cees Slinger responds fabulously with a melancholic, understated story.

Miss Scott worked for two years in Sweden in the early 1960s. Quincy Jones, on tour with his ill-fated Free & Easy band, invited Scott to come to New York. Scott declined. Scott: “A good thing that I didn’t do it. He was bankrupt the following year. Quincy gave me a photograph of himself on which he’d written, ‘Milly, you are a fool!'”

Understandable or not, she certainly was not a foolish singer and, at 92 years of age, enjoying a fitting tribute.

Leave a Reply